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As a child, he began playing a variety of instruments, including Afro-Cuban drums and percussion, bass, and tres, a Cuban six-string guitar that would become his primary instrument. The conjunto format revolutionized the son with the added drive provided by the conga's deep tone and the trumpet section's power. He began composing in his teens and in the early '30s formed El Sexteto Boston. The general trend in the s had been for the son to stray somewhat from its African roots, adopting a more subdued sound. His popularity in New York, while strong, would never match what it had been in Cuba.

He is considered the father of the conjunto, an instrumental format that was revolutionary for its time because it introduced the conga drum, which had previously been considered taboo because of its African origin.

Compositions such as "La Gente del Bronx" and "Como se Goza en el Barrio" both available on the Tumbao CD named after the latter continued to reflect his gift for writing about his everyday surroundings. The canciones de la orquesta casino saw the release of a strong canciones de la orquesta casino, Sabroso y Caliente reissued on CD on Antillawhich added flute and timbales to the conjunto setup.

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