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But to hear Auerbach tell it, when here entered his own Easy Eye Sound in Nashville to get to work on the record, their ninth full-length sinceit was as if no time had passed at all.
Are you playing off of what Patrick might do rhythmically, or is he responding to a riff or chord progression on the guitar? Topics The Black Keys.
It was right into it. That one started with that kind of, basically, T-Model Ford guitar rhythm. More than half of the solos on the record are the improvised takes from the original foundation tracks. We really love being in the studio and making sounds and recording. It can really transport you. We would compose instrumentals, with intros and verses and turnarounds and, you know, maybe a bridge here or a solo there or an outro here. This time you also went into the studio without having worked out any material beforehand. But Pat and I are just so beyond that. I used those two a lot. Pat and I have this special relationship where when we get together it just sounds like the Black Keys. That was the very first time we sat down to play together in however many years, and just immediately we were making music. I look at my weekly planner and I think about that week and I just focus on that. Do I want to bring that nice-ass Gretsch and get it all beat up? Now that the Black Keys are back up and running with a new album and tour, do you look forward to the next thing or do you just take it one day at a time? And sometimes if I needed some choppy tremolo I used a silverface Deluxe Reverb. Makes it a little bouncier somehow. That red guitar I tour with, that Harmony by Heath [H78]? In that environment, how does that actual creative process proceed? So every single song has that live performance at the foundation of it. We were following the songs, just trying to find something that felt good. It turned into the song Breaking Down. Because for me every week is something new. In addition to not wanting to damage an old guitar, vintage gear also can be temperamental and inconsistent from room to roomβ¦. Because that changed me. It just hit me like a ton of bricks. I think the thing about the Black Keys is we started as a studio band. And there was a Gretsch Chet Atkins named Rudy. Please deactivate your ad blocker in order to see our subscription offer. I just sat down at the guitar and Pat sat down at the drums and that was it. It has a fuzz channel and an octave channel but I only used the octave channel. We had no pre-production meeting, we had no talk of what we were looking to do. You can hear it on the new record on the intro and turnarounds on Breaking Down. It was like writing in reverse, almost.